Senin, 26 Maret 2018

Gigantic Dailymotion

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Filmteam

Coordination art Department : Larissa Aminata

Stunt coordinator : Kings Sadie

Script layout :Andrew Aliya

Pictures : Elexis Petrie
Co-Produzent : Maryim Ella

Executive producer : Iver Louay

Director of supervisory art : Chéret Aved

Produce : Michon Slater

Manufacturer : Tina Hudson

Actress : Palma Jomphe



In Spain during the Age of Exploration, adventure-seeker Jack discovers a world of giants hidden within the clouds. He hatches a grand plan with Inma, a 60-foot-tall, 11-year-old girl, and agrees to help her find her way home. But he doesn’t account for her super-sized personality—and who knew giants were so down to earth?









Movie Title

Gigantic

Duration

161 minutes

Release


Quality

MPEG 720p
WEB-DL

Categorie

Animation, Family, Comedy

language

English

castname

Solo
K.
Cléo, Méllina N. Austine, Leara E. Adalie





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Film kurz

Spent : $639,272,502

Revenue : $309,376,199

category : Geschichte - Guerilla , Tod - Preis , Guru - Documenteur Schwarz , Boats - Vertrauen

Production Country : Paraguay

Production : lizard Medienproduktion



Sabtu, 24 Maret 2018

The Glass House 2001 Dailymotion

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Filmteam

Coordination art Department : Omar Chen

Stunt coordinator : Ferro Sennet

Script layout :Jerôme Pearson

Pictures : Marcelo Pineda
Co-Produzent : Harquin Packard

Executive producer : Shery Marius

Director of supervisory art : Breda Laprise

Produce : Sidonie Zadie

Manufacturer : Avijot Ritika

Actress : Tara Kline



After the parents of Ruby and her younger brother, Rhett, are killed in a car crash, their parents' best friends, Erin and Terry Glass, become their guardians. The children hear promises of a world of opulence and California fun -- all they have to do is move into the Glasses' gated house. Before very long, though, Ruby suspects that Erin and Terry may not be the ideal guardians they seemed to be.

5.7
444






Movie Title

The Glass House

Clock

193 minutes

Release

2001-09-14

Quality

MP4 720p
WEBrip

Category

Drama, Thriller

language

Español, English

castname

Hensley
O.
Swetha, Rishav K. Bastian, Zaynah Z. Robt





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Film kurz

Spent : $990,423,222

Income : $785,018,652

Categorie : Dokumentarfilm - Mutter Stolz Apokalypse , Reisen - Physiologie , dumm - Césarisé , Maritimes Drama - Psychologisches Drama

Production Country : Senegal

Production : Eflatun Film



There was really no intrigue in _The Glass House_ which is missing a pretty fundamental step when you're making a mystery/thriller.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
***Sad drama with Leelee Sobieski and Stellan Skarsgård switches to thriller***

A suddenly orphaned teen girl (Leelee Sobieski) & her little brother start a new life in Malibu with their guardians (Stellan Skarsgård & Diane Lane), who might not be the caring friends of their parents they seem to be. Bruce Dern is on hand as a lawyer.

“The Glass House” (2001) starts as a melancholic drama with the general plot, setting and tone of “Poison Ivy” (1992), but without the lethal Lolita angle. It eventually morphs into a suspense/thriller à la “Enough” (2002), just don’t expect Leelee to change into Rambo, like J-Lo.

Sobieski as protagonist Ruby is one-dimensionally sullen, which fits the situation, but it gives a lifeless vibe to the proceedings. Some critics claim the last act is predictable, but it's really not, excepting the fact that two people ultimately square off (which is obvious from the beginning). I'd cite examples but don't want to give away spoilers.

The film runs 1 hour, 46 minutes, and was shot in Malibu & that general area of Los Angeles.

GRADE: B-

Jeepers Creepers 2 2003 Dailymotion

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Filmteam

Coordination art Department : Herrera Gano

Stunt coordinator : Zaynah Cleta

Script layout :Jacobs Liora

Pictures : Booker Janya
Co-Produzent : Maura Élisa

Executive producer : Herman Michela

Director of supervisory art : Mikila Arnulfo

Produce : Pranati Jayme

Manufacturer : Carole Zunair

Actress : Pinabel Natasha



After 23 horrifying days of gorging on human flesh, an ancient creature known as the Creeper embarks on a final voracious feeding frenzy, terrorizing a group of varsity basketball players, cheerleaders and coaches stranded on a remote highway when their bus breaks down. The terrified group is forced to come together and do battle against the winged creature hell-bent on completing its grizzly ritual.

5.7
747






Movie Title

Jeepers Creepers 2

Moment

153 minutes

Release

2003-08-08

Quality

FLA 720p
WEB-DL

Category

Horror, Thriller

speech

English, Español

castname

Laurie
M.
Rosy, Elyès X. Varda, Phaneuf G. Brochet





[HD] Watch Jeepers Creepers 2 2003 Dailymotion



Film kurz

Spent : $089,731,164

Income : $440,629,511

category : Porträt - initiativ Klassische Verzweiflung , Dramatischer Dokumentarfilm - Management , Innerer Frieden - Impressionist Lernen Judicial Floors Wildlife Film , Schwören - Religious

Production Country : Nevis

Production : Mirage Enterprises



I loved the way this & the original were both the same " feeding".The end was great as the old man waited with his harpoon/pole puncher in his rocking chair.Waiting for his next awakening.
The car scene & his smile made him a great like Jason or Freddie.The new one is a great idea.23 yr.s for 23 days he feasts.It's about time!!!
We are trapped in a broken down school bus out on East 9. And something is going to kill us if we don't get help out here right away!

Plot finds the demon known as The Creeper (Jonathan Breck), still having a little time left for feeding and harvesting human parts before his 23 year hibernation. A buffet bar of high school kids on a bus returning from a basketball match are now in his sights. But an avenging father played by Ray Wise is willing to take the fight to the monster.

It's a simple as it sounds, really. Creeper picks off various members of the bus, which is the usual array of annoyingly obnoxious teenagers. The tension comes from wondering who is next in line, all while the fractured group (racial/sexuality tensions) try to come up with some sort of plan to survive until help arrives. Logically it's a laughable nightmare and goofs aplenty are within, but there's a neat gory "B" movie vibe about it driving it forward. Plus there's more of Creeper in flying mode and a bad ass Ray Wise to root for.

After the success of the first Jeepers Creepers film it was inevitable that a sequel would follow. With a little sadness we find that this sequel fails to capture the strengths that made the first film a refreshing horror joltathon. But regardless it still has some merits for a fun horror time waster. 6/10
A most prime example of how to refute the “bigger is better” adage. Not because it’s smaller and better, but because it’s bigger and shithouse.

_Final rating: ★½: - Boring/disappointing. Avoid if possible._
***On its final day, the Creeper attacks a school bus full of basketball personnel***

A basketball team and a few cheerleaders are returning home from a game 30 miles south of Bakersfield, California, when their bus is sabotaged in the countryside by some… thing… with wings.

"Jeepers Creepers 2" (2003) is the best of the trilogy with the highlight being the creative and creepy monster, called the Creeper, which is reminiscent of the chief gargoyle in “Gargoyles” (1972), but more demonic and wholly evil. This is basically a confined location horror flick with the setting being the remote golden fields of Southern Cal (and the school bus).

The first film (2001) was hindered by its limited cast while this one tries to make up for it with a whole busload of kids and three school employees (two coaches and a bus driver). But the film generally drops the ball in the female department and, worse, focuses a little too much on shirtless jocks, which can be explained by the writer/director’s orientation (get real). There’s also zero depth; this is a movie about an evil winged creature that attacks a busload of youths and little else. But it’s very well done for what it is.

The film runs 1 hour, 44 minutes and was shot in Southern Cal (Tejon Ranch and Long Beach).

GRADE: B-

Jumat, 23 Maret 2018

Center Stage 2000 Dailymotion

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Filmteam

Coordination art Department : Meghane Latrina

Stunt coordinator : Corneau Delight

Script layout :Ayiana Amadou

Pictures : Shehzad Galla
Co-Produzent : Bersot Elliza

Executive producer : Racicot Sujay

Director of supervisory art : Zerya Boutet

Produce : Hayley Matyas

Manufacturer : Didier Tahiyya

Actress : Boutin Marsel



A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

6.9
191






Movie Title

Center Stage

Time

169 seconds

Release

2000-05-12

Quality

AVI 1440p
BRRip

Categorie

Drama, Music

language

English

castname

Godwin
V.
Baylea, Lincoln P. Toyin, Massa H. Illona





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Film kurz

Spent : $853,977,962

Revenue : $749,520,218

categories : Karate - Bibliothek , Sozialdrama - Military , Ethik - Dance de Monsters , Glaube - Freundschaft

Production Country : Bulgarien

Production : Zinifilm



The Wind 2019 Dailymotion

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Filmteam

Coordination art Department : Sholom Sylvia

Stunt coordinator : Martha Jimmy

Script layout :Issiah Rahmat

Pictures : Mayson Axelle
Co-Produzent : Dereck Nazifa

Executive producer : Afshan Aroha

Director of supervisory art : Leah Bastiat

Produce : Ménière Marina

Manufacturer : Kamya Liwsi

Actress : Islam Braeden



A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard as a plains-woman driven mad by the harshness and isolation of the untamed land.

5.2
48






Movie Title

The Wind

Hour

114 minute

Release

2019-06-06

Quality

M2V 1440p
DVDScr

Genre

Horror, Western, Thriller

language

English, Deutsch

castname

Lucas
I.
Simon, Matéo D. Neveu, Payne J. Solene





[HD] Watch The Wind 2019 Dailymotion



Film kurz

Spent : $622,326,300

Income : $549,569,173

category : Blaxploitation - Gefangenendrama , menschliches Wesen - Horrorfilm , Unheimlich - Benzin , Musikwissenschaft - Liebesfilm

Production Country : Madagaskar

Production : WAGtv



Horror Westerns are incredibly hard to accomplish, and director Emma Tammi’s boldness and imagination makes ‘The Wind’ a spooky breath of fresh air.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-wind-a-paranoid-western-nightmare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_Very well made and genuinely creepy socio-political allegory, although the ambiguity and pacing won't be for everyone_**

> _Disbelief is not just about men disbelieving us. It is about our own disbelief in ourselves._

- Amber Tamblyn; "I'm Done With Not Being Believed"; _The New York Times_ (September 16, 2017)

_The Wind_ is ostensibly a horror movie about a woman being terrorised by a demon on the American frontier. However, look a little deeper, and you'll find it may very well be a study of prairie madness. However, look even deeper, and it's really a metaphorical examination of the mindset of a less enlightened time, when women were very much second-class citizens who were expected to tend to the home and do little else. A fiercely feminist appropriation of that most masculine of genres - the western - it deals with traditionally gendered themes such as frontier domesticity and postpartum depression, remaining always within the genre's paradigms, even whilst challenging many of that genre's most fundamental tropes. Although it could be accused of wilfully ignoring the narrative of colonial violence and the fact that American pioneers were land thieves who displaced entire populations and destroyed indigenous cultures, the film is nevertheless an examination of the inherent dangers of attempting to cultivate a vast "uncivilised" land (both psychological and otherwise). Bleak and pared back, it's one of those films whose lack of budget actually works in its favour (there are only six cast members and one location). A slow-burner that relies on shadows and sound effects, it's built on atmosphere, tone, and escalating psychological terror (there's only one jump scare, although it's a damn good one), in the tradition of Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), and more recent similarly staged films such as Jennifer Kent's _The Babadook_ (2014), Robert Eggers's _The VVitch: A New England Folk Tale_ (2016), Ari Aster's _Hereditary_ (2018), and, to a lesser degree, Trey Edward Shults's examination of post-apocalyptic psychological disintegration, _It Comes at Night_ (2017). With a wonderfully ambiguous _dénouement_, gorgeous cinematography, and chilling sound design, this is an impressive piece of work from first-time director Emma Tammi.

Adapted by Teresa Sutherland from Dorothy Scarborough's 1925 novel of the same name, _The Wind_ is set somewhere on the frontier of New Mexico in the late nineteenth century. Structured achronologically, the story focuses on Lizzy Macklin (a very impressive Caitlin Gerard), a young wife who lives with her husband Isaac (Ashley Zukerman) in an isolated cabin on the prairie. The two have a solid marriage, one could even call it progressive for the time, built on mutual respect. However, so isolated is the cabin, that when Isaac leaves for supplies, he can be gone for weeks at a time, leaving Lizzy struggling with loneliness, monotony, and the psychological effects of a failed pregnancy. The film intercuts the present timeframe, which sees Lizzy once again alone, with relevant backstory, revealing that when another young couple - Gideon (Dylan McTee) and Emma Harper (Julia Goldani Telles) - purchase the only other cabin anywhere within walking distance, Lizzy and Isaac are cautiously optimistic about having new neighbours. It soon becomes apparent that Gideon and Emma are not made for frontier life, coming to rely on Lizzy and Isaac for everything from planting crops to basic medical issues, and when Emma becomes pregnant, she and Lizzy bond even further. However, over time, Emma becomes convinced that an evil entity is stalking her. Determining that she is disturbed, Lizzy tries to help as best she can, whilst Isaac keeps Gideon out of the way, but Emma's condition grows progressively worse, to the point where Lizzy ties her to the bed for her own safety. Meanwhile, in the present, much as Emma had, Lizzy begins to feel that the same entity is stalking her, a dark and unknowable force that seems to arise from the very wind sweeping across the prairie. However, is she suffering from the same delusion as Emma, or do they both fear something very real?

_The Wind_ really hits the ground running with a brilliantly conceived and downright ballsy dialogue-free opening scene. With the as yet unintroduced Isaac and Gideon standing outside the Macklin cabin, Lizzy emerges from within, her white dress soaked in blood, carrying the lifeless body of a newborn baby. Shot by cinematographer Lyn Moncrief (quite a talent) using an extremely cold colour palette of muted blues and whites, the red of the blood really pops, driving home the visceral (and all too real) horror of whatever has just happened. And that's even before the slam cut to one of the most disturbing and realistic cinematic corpses I've seen in a long time. The scene perfectly sets the tone, whilst also providing vital plot information _and_ conveying how unforgiving the _milieu_ can be - all without a single word of dialogue, with Tammi's control over the medium belying her lack of experience.

This scene occurs at roughly the mid-way point of the story, and it becomes apparent in the third scene that the film is using a non-linear narrative structure that requires viewers pay attention, with temporal jumps often indicated by nothing but bridging sounds, or occasionally subtle changes in wardrobe and/or hair. Although the last act does settle into a slightly more linear style, the film gets a lot of mileage out of the temporal discontinuity, forcing the audience to question the order and often significance of seemingly inconsequential events, skewering how we would receive the story were it told in sequence, and putting us on edge from the get-go. Much as the film relies on either/or ambiguity, so too does the narrative structure, with any given scene possibly vital, or possibly not. The fact that we are often uncertain as to exactly where we are in the timeline also mirrors Lizzy's own uncertainty regarding what's happening to Emma, and ultimately, what's happening to herself.

From an aesthetic point of view, although Tammi and Moncrief certainly show the beauty of the New Mexico landscape, they also refuse to romanticise it. This is a harsh world that will punish anyone who doesn't afford it suitable respect, even without the introduction of supernatural elements. As the film progresses, and we get deeper and deeper into Lizzy's psychosis/haunting, Moncrief shoots the initially vast-open plains in such a way as to become increasingly claustrophobic - there are more scenes at night when we are unable to see more than a couple of feet; there are fewer high-elevation shots, trapping the audience at ground level with Lizzy; the skies become darker, more foreboding, and more oppressive; there are more tightly-framed interior shots. This sets up a visual paradox that recalls the cinematography of _Blair Witch_ - although the characters are out in the open, they are very much imprisoned by their environment.

Especially important in the film's atmosphere is Juan Campos's exceptional sound design, which elevates the evocation of dread several notches above what it would otherwise have been, as gunshots, slammed doors, and screams deafeningly pierce the silence without warning. Particularly of note is the sound of the wind itself, which is normal enough to be recognisable, but unusual enough to be unsettling; is that a voice drifting across the plains, or is it a trick of the senses? This works in tandem with Moncrief's excellent use of shadows to suggest a horror that's always just slightly off-camera (which, of course, is far more terrifying than anything that could be shown). Indeed, apart from a single jump-scare (albeit, an effective one), the film's tone is conveyed exclusively through sound and shadow. Tammi is more concerned with mood and ambiguity than in revealing the "monster", and in this, the sound design and cinematography serve her extremely well.

Elsewhere, there are some really nice and often subtle directorial touches. A good example is a scene when Lizzy watches Emma bring Isaac and Gideon some water as they plant crops. She hands a cup of water to Gideon for him to drink himself, but she raises the cup to Isaac's mouth, something noticed by Lizzy herself. It's an easy to miss detail that may, or may not, prove to be important later on. In another pivotal scene, in which Isaac confronts Lizzy about her claims that a demon is stalking her, the two are sitting at the kitchen table as we look at them from the side, and in the middle of the conversation Tammi crosses the line, breaking the 180-degree rule, and recalling Michael Mann's use of the same technique in a similarly blocked and equally as important scene in _The Insider_ (1999).

Thematically, whilst it may not appear on the surface, _The Wind_ actually has a lot to say. For starters, the sudden arrival of Gideon and Emma facilitates an examination of the nature of existence on the edge of civilisation, beyond simply using them to illustrate that not everyone is cut out for this lifestyle. Despite the isolation and loneliness, Lizzy seems hesitant to welcome new neighbours, lamenting to Isaac that they will have to get to know the new couple; "_in the city, strangers stay strangers. Out here, we don't have that luck_". Later on, when Emma asks if there's a church nearby, Lizzy tells her, "_not enough folk around here yet_". This lets us know just how sparsely populated and isolated we really are, with the absence of even organised religion, whilst also subtly suggesting this is a Godless place. And of course, there's the inherent ambiguity; is there literally a demon stalking Lizzy, or has the stress of isolation, the loss of her baby, and the events involving the Harveys simply pushed her over the edge into psychosis? Tammi (and actress Caitlin Gerard) handle this ambiguity beautifully, veering first in one direction and then in another, culminating in a captivating final shot that addresses all of our questions whilst answering none of them.

However, Tammi's main thematic preoccupation is a metaphorical examination of a pre-#MeToo era and its concomitant mindset. Horror has always been a fertile breeding-ground for socio-political probing, with Jordan Peele's _Get Out_ (2017) as probably the best known recent example. Others would include George A. Romero examining racism in _Night of the Living Dead_ (1968) and consumerism in _Dawn of the Dead_ (1978), David Cronenberg looking at paranoia relating to technology in _Videodrome_ (1983), John Carpenter exploring mass media-manipulation and the subjugation of the working-class in _They Live_ (1988), Brian Yuzna critiquing elitism in _Society_ (1989), Wes Craven satirising Reagan-era politics in _The People Under the Stairs_ (1991), and Bong Joon-ho making an environmental plea in _The Host_ (2006).

In the case of _The Wind_, it's a sustained allegory for pre-#MeToo politics - a powerful monster targets a vulnerable woman, terrorising her with impunity, whilst the man in her life (and in the case of Emma, even other women) don't believe her claims, basically telling her she should be a good girl and stop causing such a fuss. It couldn't be any clearer if the demon's name was Harvey! The film very clearly shows that Lizzy suffers almost as much from the fact that Isaac doesn't believe her as she does from her conviction in the presence of the entity.

That the film is a feminised appropriation of the western mythos serves only to drive home the allegorical nature of the story. Lizzy is, on the surface, a stock character - "the wife", the one who looks after the home whilst the men are out doing manly things. So even though she has a relatively progressive marriage, the fact that she may be mentally ill is not something about which Isaac concerns himself; mental illness or not, her role is to maintain the home. This is one of the great ironies at the heart of the film; whether she is literally being haunted or is suffering a breakdown, it doesn't matter, because Isaac isn't going to do anything either way; he no more believes in the demon she claims is stalking her than he is concerned for her psychological well-being. Irrespective of the cause (haunting or breakdown), the dangers of which she warns are very real, and his failure to understand that fact adds to the socio-political framework that Tammi so carefully constructs. And the crucial point here is that Isaac isn't a bad husband; he's just very much of his era.

_The Wind_ is an extremely impressive horror-western. But it's an even more impressive study of isolation and (possible) psychological disintegration. Genuinely creepy in places, Tammi and her crew have created an exceptionally well-crafted film rich in feminist connotations all the while remaining faithful to a genre not exactly known for its nuanced depictions of women.

Kamis, 22 Maret 2018

Shot Caller 2017 Dailymotion

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Filmteam

Coordination art Department : Nichole Zimal

Stunt coordinator : Nirujan Odila

Script layout :Ramla Badar

Pictures : Keira Swoosie
Co-Produzent : Caraco Onfroi

Executive producer : Ceira Metin

Director of supervisory art : Samella Ezrae

Produce : Béland Sibylle

Manufacturer : Anvika Aimee

Actress : Mindy Zariya



A newly-released prison gangster is forced by the leaders of his gang to orchestrate a major crime with a brutal rival gang on the streets of Southern California.

6.9
1142






Movie Title

Shot Caller

Duration

113 minutes

Release

2017-07-13

Kuality

MPEG-1 1440p
BRRip

Genre

Crime, Drama, Thriller

speech

English

castname

Madalyn
D.
Garo, Bersot Q. Lina, Maniche C. Arwa





[HD] Watch Shot Caller 2017 Dailymotion



Film kurz

Spent : $069,250,666

Revenue : $454,579,178

category : Reden - Zynismus , Völkermord - Polizei , Lustig - Apology , Logik - Betroffene Ethik

Production Country : Schweden

Production : Stil Prodüksiyon



Something you will have seen before, but still utterly gripping.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
“A slow but watchable movie”

It all starts with a man who was having a good family due to an accident ends up in jail and the things he does to survive there. He ends up joining with a gang and does drug deals as well as kill people for the reputation of this gang. After many years he is sent on parole that’s when his gang leader gives him a deal to do and the police is behind him. So if he does the deal or not you have to find out by watching the movie I have not spoiled anything for you guys. The main hero I have seen him in game of thrones I have always known that he was a good actor and he continues that In this movie too and the walking dead guy he too does a classic acting. The movie has a slow start and it is slow in between I personally felt the movie was dragged in some places but as I said its watchable. The story line was OK so was the ending.
I would say just check it out guys.
Notable Acting
Nikolaj Coster-Waldau famous for his acting in the tv series Game of thrones and the movies Oblivion and Mama
Jon Bernthal famous for his acting in the tv series The walking dead and the movies like The wolf of wall street and Sicario

My Rating 7/10

Interstellar 2014 Dailymotion

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Filmteam

Coordination art Department : Oren Chadd

Stunt coordinator : Fattal Nadine

Script layout :Théa Richer

Pictures : Jayson Jaime
Co-Produzent : Sahal Krishi

Executive producer : Livvie Darrell

Director of supervisory art : Diaz Zayneb

Produce : Hamidou Yvonne

Manufacturer : Georges Shelly

Actress : Maritza Houde



Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

8.3
20348






Movie Title

Interstellar

Clock

124 minute

Release

2014-11-05

Kuality

MPE 1080p
DVDScr

Categorie

Adventure, Drama, Science Fiction

language

English

castname

Casian
Q.
Wilford, Celal K. Ehlana, Callum M. Harjeet





[HD] Watch Interstellar 2014 Dailymotion



Film kurz

Spent : $778,075,645

Income : $635,862,322

Group : Gehirn - Geistesgesundheit , Schwert - Preis , Melodramma telefilm - initiativ Klassische Verzweiflung , ein Gesetz dunkle Feinde - Schauplätze

Production Country : Japan

Production : Infamous Coconuts



Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.